===== Going to Georgia =====
(before each A in the verse play:)
D ------------
A ------0-----
E --0-2-------
A Esus4
THE MOST REMARKABLE THING ABOUT COMING HOME TO YOU IS THE FEELING OF BEING IN
D
MOTION AGAIN
IT'S THE MOST EXTRAORDINARY THING IN THE WORLD
A Esus4 D
I HAVE TWO BIG HANDS AND A HEART PUMPING BLOOD AND A 1967 COLT .45 WITH A
A Esus4 D
BUSTED SAFETY CATCH
E A D
THE WORLD SHINES AS I CROSS THE MACON COUNTY LINE
A E A
GOING TO GEORGIA
THE MOST REMARKABLE THING ABOUT YOU STANDING IN THE DOORWAY IS THAT IT'S YOU
AND THAT YOU'RE STANDING IN THE DOORWAY
AND YOU SMILE AS YOU EASE THE GUN FROM MY HAND AND I'M FROZEN WITH JOY RIGHT
WHERE I STAND
THE WORLD THROWS ITS LIGHT UNDERNEATH YOUR HAIR
FORTY MILES FROM ATLANTA, THIS IS NOWHERE
GOING TO GEORGIA
THE WORLD SHINES AS I CROSS THE MACON COUNTY LINE
GOING TO GEORGIA
===== Going to Georgia =====
i believe this is more correct
Db: 446664
Ab: 466544
Gb: 244322
Db Ab
THE MOST REMARKABLE THING ABOUT COMING HOME TO YOU IS THE FEELING OF BEING IN
Gb
MOTION AGAIN
IT'S THE MOST EXTRAORDINARY THING IN THE WORLD
Db Ab Gb
I HAVE TWO BIG HANDS AND A HEART PUMPING BLOOD AND A 1967 COLT .45 WITH A
Db Ab Gb
BUSTED SAFETY CATCH
Ab Db Gb
THE WORLD SHINES AS I CROSS THE MACON COUNTY LINE
Db Ab Db
GOING TO GEORGIA
THE MOST REMARKABLE THING ABOUT YOU STANDING IN THE DOORWAY IS THAT IT'S YOU
AND THAT YOU'RE STANDING IN THE DOORWAY
AND YOU SMILE AS YOU EASE THE GUN FROM MY HAND AND I'M FROZEN WITH JOY RIGHT
WHERE I STAND
THE WORLD THROWS ITS LIGHT UNDERNEATH YOUR HAIR
FORTY MILES FROM ATLANTA, THIS IS NOWHERE
GOING TO GEORGIA
THE WORLD SHINES AS I CROSS THE MACON COUNTY LINE
GOING TO GEORGIA
===== Going to Georgia =====
you gotta think about it. is john going to play Dbs when he could play open chords?
tabbed from youtube videos,; the live version is in a different key than the album version. (Ian Miller)
D ----------
A --0--0--2-
E ----------
D A
THE MOST REMARKABLE THING ABOUT COMING HOME TO YOU IS THE FEELING OF BEING IN
G
MOTION AGAIN
IT'S THE MOST EXTRAORDINARY THING IN THE WORLD
D A G
I HAVE TWO BIG HANDS AND A HEART PUMPING BLOOD AND A 1967 COLT .45 WITH A
D A G
BUSTED SAFETY CATCH
A D G
THE WORLD SHINES AS I CROSS THE MACON COUNTY LINE
D A D
GOING TO GEORGIA
THE MOST REMARKABLE THING ABOUT YOU STANDING IN THE DOORWAY IS THAT IT'S YOU
AND THAT YOU'RE STANDING IN THE DOORWAY
AND YOU SMILE AS YOU EASE THE GUN FROM MY HAND AND I'M FROZEN WITH JOY RIGHT
WHERE I STAND
THE WORLD THROWS ITS LIGHT UNDERNEATH YOUR HAIR
FORTY MILES FROM ATLANTA, THIS IS NOWHERE
GOING TO GEORGIA
THE WORLD SHINES AS I CROSS THE MACON COUNTY LINE
GOING TO GEORGIA
===== Going to Georgia =====
You're both right; he's going to play it open, AND it's in D-flat.
Like many other Goats tunes, this one is played tuned 1/2 step down, using the following open chords
(when referring to them, I'm going to ignore the flats for ease's sake):
BASIC CHORDS/RIFFS:
D Asus4 A G Fill
Eb ---2----0-----0----3-- -----2---
Bb ---3----3-----2----3-- -----3---
Gb ---2----2-----2----0-- -----2---
Db ---0----2-----2----0-- -----0---
Ab ---0----0-----0----x-- -0-2-0---
Eb ---x----x-----x----3-- -----x---
OVER-ALL NOTES:
- There are only three real progressions/strumming patterns: Instrumental Verse, Verse, and Chorus.
- There are two small, but important differences between the two verse parts:
1. The instrumental verse includes the fill.
2. The instrumental verse hits each chord a half-beat early, whereas the vocal verse hits each new chord right on the 1-beat.
- The chorus is easy except the last measure, which (due to the fill being included), has one extra half beat.
TABLATURE:
- INSTRUMENTAL VERSE PART (starts with lead-in fill):
NOTES:(lead-in fill*)(<------------------------1 instrumental verse rep----------------------->)
CHORDS: D D Asus4 G D
COUNT: + 4 + | | 1 + 2 + 3 + 4 + | 1 + 2 + 3 + 4 + | 1 + 2 + 3 + 4 + | 1 + 2 + 3 + 4 + |
TAB: -----2-| |-(2)-2-2-2-2-2-2-0-|-0-0-0-0-0-0-0-3-|-3-3-3-3-3-3-3-3-|-3-3-3-3-3-----2-|
-----3-| |-(3)-3-3-3-3-3-3-3-|-3-3-3-3-3-3-3-3-|-3-3-3-3-3-3-3-3-|-3-3-3-3-3-----3-|
-----2-| |-(2)-2-2-2-2-2-2-2-|-2-2-2-2-2-2-2-0-|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-----2-|
-----0-| |--0--0-0-0-0-0-0-2-|-2-2-2-2-2-2-2-0-|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-----0-|
-0-2-0-| |--0--0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-x-|-x-x-x-x-x-x-x-x-|-x-x-x-x-x-0-2-0-|
-----x-| |--x--x-x-x-x-x-x-x-|-x-x-x-x-x-x-x-3-|-3-3-3-3-3-3-3-3-|-3-3-3-3-3-----x-|
- VOCAL VERSE PART:
NOTES: (<-------------------------1 vocal verse rep--------------------------->)
CHORDS: D Asus4 G
COUNT: | 1 + 2 + 3 + 4 + | 1 + 2 + 3 + 4 + | 1 + 2 + 3 + 4 + | 1 + 2 + 3 + 4 + |
TAB: |-2-2-2-2-2-2-2-2-|-0-0-0-0-0-0-0-0-|-3-3-3-3-3-3-3-3-|-3-3-3-3-3-3-3-3-|
|-3-3-3-3-3-3-3-3-|-3-3-3-3-3-3-3-3-|-3-3-3-3-3-3-3-3-|-3-3-3-3-3-3-3-3-|
|-2-2-2-2-2-2-2-2-|-2-2-2-2-2-2-2-2-|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-|
|-0-0-0-0-0-0-0-0-|-2-2-2-2-2-2-2-2-|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-|
|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-|-x-x-x-x-x-x-x-x-|-x-x-x-x-x-x-x-x-|
|-x-x-x-x-x-x-x-x-|-x-x-x-x-x-x-x-x-|-3-3-3-3-3-3-3-3-|-3-3-3-3-3-3-3-3-|
- CHORUS PART:
NOTES: (<---------------------------------------------------------------1 chorus rep--------------------------------------------------extra half beat!-->)
CHORDS: A D G D A D
COUNT: | 1 + 2 + 3 + 4 + | 1 + 2 + 3 + 4 + | 1 + 2 + 3 + 4 + | 1 + 2 + 3 + 4 + | 1 + 2 + 3 + 4 + | 1 + 2 + 3 + 4 + | 1 + 2 + 3 + 4 + | 1 + 2 + 3 + 4 + 5 |
TAB: |-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-|-3-3-3-3-3-3-3-3-|-3-3-3-3-3-3-3-3-|-2-2-2-2-2-2-2-2-|-0-0-0-0-0-0-0-0-|-2-2-2-2-2-2-2-2-|-2-2-2-2-2-2-----2-|
|-2-2-2-2-2-2-2-2-|-2-2-2-2-2-2-2-2-|-3-3-3-3-3-3-3-3-|-3-3-3-3-3-3-3-3-|-3-3-3-3-3-3-3-3-|-2-2-2-2-2-2-2-2-|-3-3-3-3-3-3-3-3-|-3-3-3-3-3-3-----3-|
|-2-2-2-2-2-2-2-2-|-2-2-2-2-2-2-2-2-|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-|-2-2-2-2-2-2-2-2-|-2-2-2-2-2-2-2-2-|-2-2-2-2-2-2-2-2-|-2-2-2-2-2-2-----2-|
|-2-2-2-2-2-2-2-2-|-2-2-2-2-2-2-2-2-|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-|-2-2-2-2-2-2-2-2-|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-----0-|
|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-|-x-x-x-x-x-x-x-x-|-x-x-x-x-x-x-x-x-|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-2-0-|
|-x-x-x-x-x-x-x-x-|-x-x-x-x-x-x-x-x-|-3-3-3-3-3-3-3-3-|-3-3-3-3-3-3-3-3-|-x-x-x-x-x-x-x-x-|-x-x-x-x-x-x-x-x-|-x-x-x-x-x-x-x-x-|-x-x-x-x-x-x-----x-|
ARRANGEMENT (chord names are over lyrics where chord change occurs:
A. INSTRUMENTAL VERSE (2 reps)
B. VERSE 1 (4 reps):
D Asus4 G
1. (spoken: THE MOST REMARKABLE THING ABOUT COMING HOME TO YOU IS THE FEELING OF BEING IN MOTION AGAIN, IT'S THE MOST EXTRAORDINARY THING IN THE WORLD)
D Asus4 G
2. (-------------------------------------------------------------silent-------------------------------------------------------------------------------)
D Asus4 G
3. I HAVE TWO BIG HANDS AND A HEART PUMPING BLOOD AND A 1967 COLT .45 WITH A
D Asus4 G
4. BUSTED SAFETY CATCH
C. CHORUS 1 (1 rep):
A D G D A D LEAD-IN FILL (in the recorded version this actually adds an extra half-beat to this measure!)
THE WORLD SHINES AS I CROSS THE MACON COUNTY LINE, GOING TO GEORGIA
D. VERSE 2 (2 reps):
D Asus4 G
1. THE MOST REMARKABLE THING ABOUT YOU STANDING IN THE DOORWAY IS THAT IT'S YOU, AND THAT YOU'RE STANDING IN THE DOORWAY
D Asus4 G
2. AND YOU SMILE AS YOU EASE THE GUN FROM MY HAND AND I'M FROZEN WITH JOY, RIGHT WHERE I STAND
E. CHORUS 2 (1 rep):
A D G D A D
THE WORLD THROWS ITS LIGHT UNDERNEATH YOUR HAIR, FORTY MILES FROM ATLANTA, THIS IS NOWHERE, GOING TO GEORGIA
F. INSTRUMENTAL VERSE (2 reps):
G. CHORUS 3 (1 rep):
A D G D A D
THE WORLD SHINES AS I CROSS THE MACON COUNTY LINE, GOING TO GEORGIA