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tabs:going_to_georgia [2007/09/27 23:37] magma_king |
tabs:going_to_georgia [2013/01/19 08:57] theamazombie Formatting |
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i believe this is more correct | i believe this is more correct | ||
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+ | Db: 446664 | ||
+ | Ab: 466544 | ||
+ | Gb: 244322 | ||
Db Ab | Db Ab | ||
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GOING TO GEORGIA | GOING TO GEORGIA | ||
</ | </ | ||
+ | |||
+ | |||
+ | ===== Going to Georgia ===== | ||
+ | < | ||
+ | You're both right; he's going to play it open, AND it's in D-flat. | ||
+ | Like many other Goats tunes, this one is played tuned 1/2 step down, using the following open chords | ||
+ | (when referring to them, I'm going to ignore the flats for ease's sake): | ||
+ | |||
+ | BASIC CHORDS/ | ||
+ | D Asus4 | ||
+ | Eb ---2----0-----0----3-- | ||
+ | Bb ---3----3-----2----3-- | ||
+ | Gb ---2----2-----2----0-- | ||
+ | Db ---0----2-----2----0-- | ||
+ | Ab ---0----0-----0----x-- | ||
+ | Eb ---x----x-----x----3-- | ||
+ | |||
+ | OVER-ALL NOTES: | ||
+ | - There are only three real progressions/ | ||
+ | |||
+ | - There are two small, but important differences between the two verse parts: | ||
+ | 1. The instrumental verse includes the fill. | ||
+ | 2. The instrumental verse hits each chord a half-beat early, whereas the vocal verse hits each new chord right on the 1-beat. | ||
+ | |||
+ | - The chorus is easy except the last measure, which (due to the fill being included), has one extra half beat. | ||
+ | |||
+ | TABLATURE: | ||
+ | - INSTRUMENTAL VERSE PART (starts with lead-in fill): | ||
+ | NOTES: | ||
+ | CHORDS: | ||
+ | COUNT: | ||
+ | | ||
+ | TAB: -----2-| | ||
+ | -----3-| | ||
+ | -----2-| | ||
+ | -----0-| | ||
+ | -0-2-0-| | ||
+ | -----x-| | ||
+ | |||
+ | - VOCAL VERSE PART: | ||
+ | NOTES: (< | ||
+ | CHORDS: | ||
+ | COUNT: | 1 + 2 + 3 + 4 + | 1 + 2 + 3 + 4 + | 1 + 2 + 3 + 4 + | 1 + 2 + 3 + 4 + | | ||
+ | |||
+ | TAB: | ||
+ | | ||
+ | | ||
+ | | ||
+ | | ||
+ | | ||
+ | |||
+ | - CHORUS PART: | ||
+ | NOTES: (< | ||
+ | CHORDS: | ||
+ | COUNT: | 1 + 2 + 3 + 4 + | 1 + 2 + 3 + 4 + | 1 + 2 + 3 + 4 + | 1 + 2 + 3 + 4 + | 1 + 2 + 3 + 4 + | 1 + 2 + 3 + 4 + | 1 + 2 + 3 + 4 + | 1 + 2 + 3 + 4 + 5 | | ||
+ | | ||
+ | TAB: | ||
+ | | ||
+ | | ||
+ | | ||
+ | | ||
+ | | ||
+ | |||
+ | |||
+ | ARRANGEMENT (chord names are over lyrics where chord change occurs: | ||
+ | |||
+ | A. INSTRUMENTAL VERSE (2 reps) | ||
+ | |||
+ | |||
+ | B. VERSE 1 (4 reps): | ||
+ | | ||
+ | 1. (spoken: THE MOST REMARKABLE THING ABOUT COMING HOME TO YOU IS THE FEELING OF BEING IN MOTION AGAIN, IT'S THE MOST EXTRAORDINARY THING IN THE WORLD) | ||
+ | | ||
+ | 2. (-------------------------------------------------------------silent-------------------------------------------------------------------------------) | ||
+ | D Asus4 G | ||
+ | 3. I HAVE TWO BIG HANDS AND A HEART PUMPING BLOOD AND A 1967 COLT .45 WITH A | ||
+ | D Asus4 | ||
+ | 4. | ||
+ | |||
+ | |||
+ | C. CHORUS 1 (1 rep): | ||
+ | A D | ||
+ | THE WORLD SHINES AS I CROSS THE MACON COUNTY LINE, GOING TO GEORGIA | ||
+ | |||
+ | |||
+ | D. VERSE 2 (2 reps): | ||
+ | | ||
+ | 1. THE MOST REMARKABLE THING ABOUT YOU | ||
+ | D | ||
+ | 2. AND YOU SMILE AS YOU EASE THE GUN FROM MY HAND AND I' | ||
+ | |||
+ | |||
+ | E. CHORUS 2 (1 rep): | ||
+ | A D | ||
+ | THE WORLD THROWS ITS LIGHT UNDERNEATH YOUR HAIR, FORTY MILES FROM ATLANTA, THIS IS | ||
+ | |||
+ | |||
+ | F. INSTRUMENTAL VERSE (2 reps): | ||
+ | |||
+ | |||
+ | G. CHORUS 3 (1 rep): | ||
+ | A D | ||
+ | THE WORLD SHINES AS I CROSS THE MACON COUNTY LINE, GOING TO GEORGIA | ||
+ | |||
+ | </ | ||
+ | |||
+ |