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tabs:you_me_a_high_balcony [2013/07/20 21:40] neutralmilkhotel |
tabs:you_me_a_high_balcony [2021/08/24 21:42] (current) |
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| - | B (7th fret)\\ | + | < |
| - | Clean slate \\ | + | |
| - | D# (6th fret) \\ | + | B (7th fret) |
| - | Warm weather | + | Clean slate |
| - | E | + | D# (6th fret) |
| - | They should tie our ankles both together | + | Warm weather |
| - | Seagulls calling to one another | + | E |
| - | and the stranger should ask you can tell him I'm your brother | + | They should tie our ankles both together |
| - | Lean into me press real hard \\ | + | Seagulls calling to one another |
| - | I got no good reasons let not to let down my guard \\ | + | and the stranger should ask you can tell him I'm your brother |
| - | \\C#m | + | Lean into me press real hard |
| - | I love your kiss \\ | + | I got no good reasons let not to let down my guard |
| - | But it's going to come down to this \\ | + | C#m |
| - | You and me and a high balcony and professional wrestling on pay per view \\ | + | I love your kiss |
| - | Windows and light \\ | + | But it's going to come down to this |
| - | and the radio blaring all night \\ | + | You and me and a high balcony and professional wrestling on pay per view |
| - | and the truth slowly dawning on me and then on you \\ | + | Windows and light |
| - | Let's pretend we're all alone \\ | + | and the radio blaring all night |
| - | Let's unplug the telephone | + | and the truth slowly dawning on me and then on you |
| - | Our scale doesn' | + | Let's pretend we're all alone |
| - | don't blink, don't try to hard not to, just rehearse the alibis your father taught you \\ | + | Let's unplug the telephone |
| - | See the plastic coating on the windows blister | + | Our scale doesn' |
| - | Any body asks you tell them you're my sister | + | don't blink, don't try to hard not to, just rehearse the alibis your father taught you |
| - | Yeah, you and me and a table set for three \\ | + | See the plastic coating on the windows blister |
| - | Just in case our assassin should finally come through | + | Any body asks you tell them you're my sister |
| - | and high dress and matches why don't we cook up two more batches | + | Yeah, you and me and a table set for three |
| - | with the time closing in on me and then on you \\ | + | Just in case our assassin should finally come through |
| + | and high dress and matches why don't we cook up two more batches | ||
| + | with the time closing in on me and then on you | ||
| + | |||
| + | </ | ||
| + | < | ||
| + | Found this on the forum | ||
| + | |||
| + | B Ebm | ||
| + | Clean slate, warm weather | ||
| + | E B F# | ||
| + | they should tie our ankles both together | ||
| + | B Ebm | ||
| + | seagulls calling to one another | ||
| + | E B F# | ||
| + | if a stranger should ask you, you can tell him I'm your brother | ||
| + | E B | ||
| + | lean into me, press real hard | ||
| + | E B F# | ||
| + | I got no good reasons left not to let down my guard | ||
| + | |||
| + | C#m B C#m E F# | ||
| + | I love your kiss, but it's going to come down to this | ||
| + | B E B E | ||
| + | you and me and a high balcony | ||
| + | B F# E F# | ||
| + | and professional wrestling on payperview | ||
| + | |||
| + | B E | ||
| + | windows in light | ||
| + | B E | ||
| + | and the radio blaring all night | ||
| + | B F# E F# B | ||
| + | and the troops slowly dawning on me and on you | ||
| + | |||
| + | |||
| + | B Ebm | ||
| + | Let's pretend we're all alone | ||
| + | E B F# | ||
| + | Let's unplug the telephone | ||
| + | B Ebm | ||
| + | Our scale doesn' | ||
| + | E B F# | ||
| + | don't blink, don't try to hard not to, just rehearse the alibis your father taught you | ||
| + | C#m B | ||
| + | See the plastic coating on the windows blister | ||
| + | C#m E F# | ||
| + | Any body asks you tell them you're my sister | ||
| + | B E | ||
| + | Yeah, you and me and a table set for three | ||
| + | B F# E F# | ||
| + | Just in case our assassin should finally come through | ||
| + | B E B E | ||
| + | anhydrous and matches why don't we cook up two more batches | ||
| + | B F# E F# B | ||
| + | with the time closing in on me and then on you | ||
| + | |||
| + | </ | ||